A Fatal Grace
About this book
CC de Poitiers arrives in Three Pines promoting a philosophy of emotional control that she does not practice at home. She alienates her husband, daughter, lover, and nearly everyone she meets before taking a place beside the annual Christmas curling match.
CC is killed by an electric shock on the ice in full view of the crowd. Chief Inspector Gamache must explain how the current reached her without attracting notice and why so many witnesses failed to see the decisive act.
The winter setting joins the present crime to an older death and to Gamache's growing conflict within the Sûreté. Warm rooms and village traditions provide refuge, but they also sharpen the isolation of people excluded from them.
A Fatal Grace is the second Chief Inspector Gamache novel. It resolves its central mystery while developing institutional tensions that continue through later Three Pines books.
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ONE
Had CC de Poitiers known she was going to be murdered she might have bought her husband, Richard, a Christmas gift. She might even have gone to her daughter’s end of term pageant at Miss Edward’s School for Girls, or ‘girths’ as CC liked to tease her expansive daughter. Had CC de Poitiers known the end was near she might have been at work instead of in the cheapest room the Ritz in Montreal had to offer. But the only end she knew was near belonged to a man named Saul.
‘So, what do you think? Do you like it?’ She balanced her book on her pallid stomach.
Saul looked at it, not for the first time. She’d dragged it out of her huge purse every five minutes for the past few days. In business meetings, dinners, taxi rides through the snowy streets of Montreal, CC’d suddenly bend down and emerge triumphant, holding her creation as though another virgin birth.
‘I like the picture,’ he said, knowing the insult. He’d taken the picture. He knew she was asking, pleading, for more and he knew he no longer cared to give it. And he wondered how much longer he could be around CC de Poitiers before he became her. Not physically, of course. At forty-eight she was a few years younger than him. She was slim and ropy and toned, her teeth impossibly white and her hair impossibly blonde. Touching her was like caressing a veneer of ice. There was a beauty to it, and a frailty he found attractive. But there was also danger. If she ever broke, if she shattered, she’d tear him to pieces.
But her exterior wasn’t the issue. Watching her caress her book with more tenderness than she’d ever shown when caressing him, he wondered whether her ice water insides had somehow seeped into him, perhaps during sex, and were slowly freezing him. Already he couldn’t feel his core.
At fifty-two Saul Petrov was just beginning to notice his friends weren’t quite as brilliant, not quite as clever, not quite as slim as they once were. In fact, most had begun to bore him. And he’d noticed a telltale yawn or two from them as well. They were growing thick and bald and dull, and he suspected he was too. It wasn’t so bad that women rarely looked at him any more or that he’d begun to consider trading his downhill skis for cross country, or that his GP had scheduled his first prostate test. He could accept all that. What woke Saul Petrov at two in the morning, and whispered in his ears in the voice that had warned him as a child that lions lived under his bed, was the certainty that people now found him boring. He’d take deep dark breaths of the night air, trying to reassure himself that the stifled yawn of his dinner companion was because of the wine or the magret de canard or the warmth in the Montreal restaurant, wrapped as they were in their sensible winter sweaters.
But still the night voice growled and warned of dangers ahead. Of impending disaster. Of telling tales too long, of an attention span too short, of seeing the whites of too many eyes. Of glances, fast and discreet, at watches. When can they reasonably leave him? Of eyes scanning the room, desperate for more stimulating company.
And so he’d allowed himself to be seduced by CC. Seduced and devoured so that the lion under the bed had become the lion in the bed. He’d begun to suspect this self-absorbed woman had finally finished absorbing herself, her husband and even that disaster of a daughter and was now busy absorbing him.
He’d already become cruel in her company. And he’d begun despising himself. But not quite as much as he despised her.
‘It’s a brilliant book,’ she said, ignoring him. ‘I mean, really. Who wouldn’t want this?’ She waved it in his face. ‘People’ll eat it up. There’re so many troubled people out there.’ She turned now and actually looked out their hotel room window at the building opposite, as though surveying her ‘people’. ‘I did this for them.’ Now she turned back to him, her eyes wide and sincere.
Does she believe it? he wondered.
He’d read the book, of course. Be Calm she’d called it, after the company she’d founded a few years ago, which was a laugh given the bundle of nerves she actually was. The anxious, nervous hands, constantly smoothing and straightening. The snippy responses, the impatience that spilled over into anger.
Calm was not a word anyone would apply to CC de Poitiers, despite her placid, frozen exterior.
She’d shopped the book around to all the publishers, beginning with the top publishing houses in New York and ending with Publications Réjean et Maison des cartes in St Polycarpe, a one-vache village along the highway between Montreal and Toronto.
They’d all said no, immediately recognizing the manuscript as a flaccid mishmash of ridiculous self-help philosophies, wrapped in half-baked Buddhist and Hindu teachings, spewed forth by a woman whose cover photo looked as though she’d eat her young.
‘No goddamned enlightenment,’ she’d said to Saul in her Montreal office the day a batch of rejection letters arrived, ripping them into pieces and dropping them on the floor for the hired help to clean up. ‘This world is messed up, I tell you. People are cruel and insensitive, they’re out to screw each other. There’s no love or compassion. This,’ she sliced her book violently in the air like an ancient mythical hammer, heading for an unforgiving anvil, ‘will teach people how to find happiness.’
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Her voice was low, the words staggering under the weight of venom. She’d gone on to self-publish her book, making sure it was out in time for Christmas. And while the book talked a lot about light Saul found it interesting and ironic that it had actually been released on the winter solstice. The darkest day of the year.
‘Who published it again?’ He couldn’t seem to help himself. She was silent. ‘Oh, I remember now,’ he said. ‘No one wanted it. That must have been horrible.’ He paused for a moment, wondering whether to twist the knife. Oh, what the hell. Might as well. ‘How’d that make you feel?’ Did he imagine the wince?
But her silence remained, eloquent, her face impassive. Anything CC didn’t like didn’t exist. That included her husband and her daughter. It included any unpleasantness, any criticism, any harsh words not her own, any emotions. CC lived, Saul knew, in her own world, where she was perfect, where she could hide her feelings and hide her failings.
He wondered how long before that world would explode. He hoped he’d be around to see it. But not too close.
People are cruel and insensitive, she’d said. Cruel and insensitive. It wasn’t all that long ago, before he’d taken the contract to freelance as CC’s photographer and lover, that he’d actually thought the world a beautiful place. Each morning he’d wake early and go into the young day, when the world was new and anything was possible, and he’d see how lovely Montreal was. He’d see people smiling at each other as they got their cappuccinos at the café, or their fresh flowers or their baguettes. He’d see the children in autumn gathering the fallen chestnuts to play conkers. He’d see the elderly women walking arm in arm down the Main.
He wasn’t foolish or blind enough not to also see the homeless men and women, or the bruised and battered faces that spoke of a long and empty night and a longer day ahead.
But at his core he believed the world a lovely place. And his photographs reflected that, catching the light, the brilliance, the hope. And the shadows that naturally challenged the light.
Ironically it was this very quality that had caught CC’s eye and led her to offer him the contract. An article in a Montreal style magazine had described him as a ‘hot’ photographer, and CC always went for the best. Which was why they always took a room at the Ritz. A cramped, dreary room on a low floor without view or charm, but the Ritz. CC would collect the shampoos and stationery to prove her worth, just as she’d collected him. And she’d use them to make some obscure point to people who didn’t care, just as she’d use him. And then, eventually, everything would be discarded. As her husband had been tossed aside, as her daughter was ignored and ridiculed.
The world was a cruel and insensitive place.
And he now believed it.
He hated CC de Poitiers.
He got out of bed, leaving CC to stare at her book, her real lover. He looked at her and she seemed to go in and out of focus. He cocked his head to one side and wondered whether he’d had too much to drink again. But still she seemed to grow fuzzy, then sharp, as though he was looking through a prism at two different women, one beautiful, glamorous, vivacious, and the other a pathetic, dyed-blonde rope, all corded and wound and knotted and rough. And dangerous.
‘What’s this?’ He reached into the garbage and withdrew a portfolio. He recognized it immediately as an artist’s dossier of work. It was beautifully and painstakingly bound and printed on archival Arche paper. He flipped it open and caught his breath.
A series of works, luminous and light, seemed to glow off the fine paper. He felt a stirring in his chest. They showed a world both lovely and hurt. But mostly, it was a world where hope and comfort still existed. It was clearly the world the artist saw each day, the world the artist lived in. As he himself once lived in a world of light and hope.
The works appeared simple but were in reality very complex. Images and colors were layered one on top of the other. Hours and hours, days and days must have been spent on each one to get the desired effect.
He stared down at the one before him now. A majestic tree soared into the sky, as though keening for the sun. The artist had photographed it and had somehow captured a sense of movement without making it disorienting. Instead it was graceful and calming and, above all, powerful. The tips of the branches seemed to melt or become fuzzy as though even in its confidence and yearning there was a tiny doubt. It was brilliant.
All thoughts of CC were forgotten. He’d climbed into the tree, almost feeling tickled by its rough bark, as if he had been sitting on his grandfather’s lap and snuggling into his unshaven face. How had the artist managed that?
He couldn’t make out the signature. He flipped through the other pages and slowly felt a smile come to his frozen face and move to his hardened heart.
Maybe, one day, if he ever got clear of CC he could go back to his work and do pieces like this.
He exhaled all the darkness he’d stored up.
‘So, do you like it?’ CC held her book up and waved it at him.
TWO
Crie carefully got into her costume, trying not to rip the white chiffon. The Christmas pageant had already started. She could hear the lower forms singing ‘Away in a manger,’ though it sounded suspiciously like ‘A whale in a manger’. She wondered, briefly, whether that was a comment on her. Were they all laughing at her? She swallowed that thought and continued dressing, humming a bit as she went.
‘Who’s doing that?’ The voice of Madame Latour, the music teacher, could be heard in the crowded, excited room. ‘Who’s humming?’
Madame’s face, birdlike and bright, peeked round the corner where Crie had crept to change alone. Instinctively Crie grabbed her costume and tried to cover her near-naked fourteen-year-old body. It was impossible, of course. Too much body and too little chiffon.
‘Was it you?’
Crie stared, too frightened to speak. Her mother had warned her about this. Had warned her never to sing in public.
But now, betrayed by a buoyant heart, she’d actually let some humming escape.
Madame Latour stared at the huge girl and felt a bit of her lunch in her throat. Those rolls of fat, those dreadful dimples, the underwear disappearing into the flesh. The face so frozen and staring. The science teacher, Monsieur Drapeau, had commented that Crie was top in his class, though another teacher had pointed out that one topic that semester had been vitamins and minerals and Crie had probably eaten the textbook.
Still, here she was at the pageant so maybe she was coming out of herself, though that would take a lot of doing.
‘Better hurry. You’re on soon.’ She left without waiting for a reply.
This was the first Christmas pageant Crie had been in in the five years she’d been at Miss Edward’s School for Girls. Every other year while the students made their costumes she’d made mumbled excuses. No one had ever tried to dissuade her. Instead she’d been given the job of running the lights for the show, having a head, as Madame Latour put it, for technical things. Things not alive, she’d meant. So each year Crie would watch the Christmas pageant alone in the dark at the back, as the beautiful, glowing, gifted girls had danced and sung the story of the Christmas miracle, basking in the light Crie provided.
But not this year.
She got into her costume and looked at herself in the mirror. A huge chiffon snowflake looked back. Really, she had to admit, more of a snowdrift than a single flake, but still, it was a costume and it was quite splendid. The other girls’ mothers had helped them, but Crie had done her own. To surprise Mommy, she’d told herself, trying to drown out the other voice.
If she looked closely she could see the tiny droplets of blood where her pudgy, indelicate fingers had fumbled the needle and speared herself. But she’d persevered until she finally had this costume. And then she’d had her brainwave. Really, the most brilliant thought in her entire fourteen years.
Her mother, she knew, revered light. It was, she’d been told all her life, what we all strive for. That’s why it’s called enlightenment. Why smart people are described as bright. Why thin people succeed. Because they’re lighter than others.
It was all so obvious.
And now Crie would actually be playing a snowflake. The whitest, lightest of elements. And her own bit of brilliance? She’d gone to the dollar store and with her allowance bought a bottle of glitter. She’d even managed to walk straight past the chocolate bars, stale and staring. Crie had been on a diet for a month now and soon she was sure her mother would notice.
She’d applied glue and glitter and now she looked at the results.
For the first time in her life Crie knew she was beautiful. And she knew, in just a few short minutes, her mother would think so too.
Clara Morrow stared through the frosted mullions of her living-room window at the tiny village of Three Pines. She leaned forward and shaved some frost from the window. Now that we have some money, she thought, we should replace the old windows. But while Clara knew that was the sensible thing to do, most of her decisions weren’t really sensible. But they suited her life. And now, watching the snow globe that was Three Pines, she knew she liked looking at it through the beautiful designs the frost made on the old glass.
Sipping a hot chocolate she watched as brightly swaddled villagers strolled through the softly falling snow, waving mittened hands in greeting and occasionally stopping to chat to each other, their words coming in puffs, like cartoon characters. Some headed into Olivier’s Bistro for a café au lait, others needed fresh bread or a pâtisserie from Sarah’s Boulangerie. Myrna’s New and Used Books, next to the bistro, was closed for the day. Monsieur Béliveau shoveled the front walk of his general store and waved to Gabri, huge and dramatic, rushing across the green from his bed and breakfast on the corner. To a stranger the villagers would be anonymous, even asexual. In a Quebec winter everyone looked alike. Great waddling, swaddling, muffled masses of goose down and Thinsulate so that even the slim looked plump and the plump looked globular. Each looked the same. Except for the tuques on their heads. Clara could see Ruth’s bright green pompom hat nodding to Wayne’s multi-colored cap, knitted by Pat on long autumn nights. The Lévesque kids all wore shades of blue as they skated up and down the frozen pond after the hockey puck, little Rose trembling so hard in the net even Clara could see her aqua bonnet quiver. But her brothers loved her and each time they raced toward the net they pretended to trip and instead of letting go a blistering slap shot they gently slipped toward her until they all ended up in a confused and happy heap on the verge of the goal. It looked to Clara like one of those Currier and Ives prints she’d stared at for hours as a child and yearned to step into.
Three Pines was robed in white. A foot of snow had fallen in the last few weeks and every old home round the village green had its own tuque of purest white. Smoke wafted out of the chimneys as though the homes had their own voice and breath, and Christmas wreaths decorated the doors and gates. At night the quiet little Eastern Townships village glowed with light from the Christmas decorations. There was a tender hum about the place as adults and children alike prepared for the big day.
‘Maybe her car won’t start.’ Clara’s husband Peter walked into the room. He was tall and slim and looked like a Fortune 500 executive, like his father. Instead he spent his days hunched over his easel, getting oil paints into his curly gray hair as he slowly created his excruciatingly detailed works of abstract art. They went for thousands of dollars to collectors internationally, though because he painted so slowly and produced only one or two a year, they lived in constant poverty. Until recently, that is. Clara’s paintings of warrior uteruses and melting trees, had yet to find a market.
‘She’ll be here,’ said Clara. Peter looked at his wife, her eyes blue and warm, her once dark hair streaked with gray, though she was only in her late forties. Her figure was beginning to thicken round the stomach and thighs and she’d recently begun talking about rejoining Madeleine’s exercise class. He knew enough not to answer when asked if that sounded like a good idea.
‘Are you sure I can’t come?’ he asked, more out of politeness than a real desire to squeeze himself into Myrna’s death trap of a car and bounce all the way into the city.
‘Of course not. I’m buying your Christmas gift. Besides, there won’t be room in the car for Myrna, me, you and the presents. We’d have to leave you in Montreal.’
A tiny car pulled up to their open gate and an enormous black woman got out. This was probably Clara’s favorite part of trips with Myrna. Watching her get in and out of the minuscule car. Clara was pretty sure Myrna was actually larger than the car. In summer it was a riot watching her wriggle in as her dress rode up to her waist. But Myrna just laughed. In winter it was even more fun since Myrna wore an ebullient pink parka, almost doubling her size.
‘I’m from the islands, child. I feel the cold.’
‘You’re from the island of Montreal,’ Clara had pointed out.
‘True,’ admitted Myrna with a laugh. ‘Though the south end. I love winter. It’s the only time I get pink skin. What do you think? Could I pass?’
‘For what?’
‘For white.’
‘Would you want to?’
Myrna had turned suddenly serious eyes on her best friend and smiled. ‘No. No, not any more. Hmm.’
She’d seemed pleased and even a little surprised by her answer.
And now the faux-white woman in her puffy pink skin, layers of brightly colored scarves and purple tuque with orange pompom was clumping up their freshly shoveled path.
Soon they’d be in Montreal. It was a short drive, less than an hour and a half, even in snow. Clara was looking forward to an afternoon of Christmas shopping but the highlight of her trip, of every trip into Montreal at Christmas, was a secret. Her private delight.
Clara Morrow was dying to see Ogilvy’s Christmas window.
The hallowed department store in downtown Montreal had the most magical Christmas window in the world. In mid-November the huge panes would go black and blank, covered by paper. Then the excitement would start. When would the holiday wonderment be unveiled? It was more exciting to Clara as a child than the Santa Claus parade. When word spread that Ogilvy’s had finally taken off the paper Clara would rush downtown and straight to the magical window.
And there it would be. Clara would rush up to the window but stop just short, just out of eyeshot. She’d close her eyes and gather herself, then she’d step forward and open her eyes. And there it was. Clara’s village. The place she’d go when disappointments and dawning cruelty would overwhelm the sensitive little girl. Summer or winter, all she had to do was close her eyes and she was there. With the dancing bears and skating ducks and frogs in Victorian costume fishing from the bridge. At night, when the ghoul huffed and snorted and clawed beneath her bedroom floor, she would squeeze her tiny blue eyes shut and will herself into the magical window and the village the ghoul could never find because kindness guarded the entry.
Later in her life the most wonderful thing happened. She fell in love with Peter Morrow and agreed to put off taking New York by storm. Instead she agreed to move to the tiny village he loved south of Montreal. It was a region Clara was unfamiliar with, being a city girl, but such was her love for Peter that she didn’t even hesitate.
And so it was, twenty-six years ago as a clever and cynical art college grad Clara stepped out of their rattle-trap Volkswagen, and started to weep.
Peter had brought her to the enchanted village of her childhood. The village she had forgotten in the attitude and importance of adulthood. Ogilvy’s Christmas window had been real after all and was called Three Pines. They’d bought a little home by the village green and settled into a life more magical then even Clara had dared dream.
A few minutes later Clara unzipped her parka in the warm car and watched the snowy countryside drift by. This was a special Christmas, for reasons both devastating and wonderful. Her dear friend and neighbor Jane Neal had been murdered slightly over a year before, leaving all her money to Clara. The previous Christmas she’d felt too guilty to spend any. Felt she was profiting by Jane’s death.
Myrna glanced over at her friend, her thoughts traveling along the same lines, remembering dear, dead Jane Neal and the advice she’d given Clara after Jane’s murder. Myrna was used to giving advice. She’d been a psychologist in Montreal, until she’d realized most of her clients didn’t really want to get better. They wanted a pill and reassurance that whatever was wrong wasn’t their fault.
So Myrna had chucked it all. She’d loaded her little red car with books and clothes and headed over the bridge, off the island of Montreal, south toward the US border. She’d sit on a beach in Florida and figure it out.
But fate, and a hunger pang, had intervened. In no hurry and taking the picturesque back roads Myrna had been on her journey for only an hour or so when she suddenly felt peckish. Cresting a hill along a bumpy dirt road she’d come across a village hidden among the hills and forests. It came as a complete surprise to Myrna, who was so taken by the sight she stopped and got out. It was late spring and the sun was just gathering strength. A stream tumbled from an old stone mill past a white clapboard chapel and meandered around one side of the village. The village was shaped like a circle with dirt roads running off it in four directions. In the middle was a village green and ringing it were old homes, some in the Québecois style with steeply sloping metal roofs and narrow dormers, some clapboard with wide open verandas. And at least one was fieldstone, built by hand from stones heaved from the fields by a pioneer frantic to beat the oncoming murderous winter.
She could see a pond on the green and three majestic pine trees rising at one end.
Myrna brought out her map of Quebec. After a couple of minutes she carefully folded it up and leaned against the car in amazement. The village wasn’t on the map. It showed places that hadn’t existed in decades. It showed minuscule fishing villages and any community with two houses and a church.
But not this one.
She looked down at villagers gardening and walking dogs and sitting on a bench by the pond reading. Perhaps this was like Brigadoon. Perhaps it only appeared every number of years, and only to people who needed to see it. But still, Myrna hesitated. Surely it wouldn’t have what she craved. Almost turning round and heading for Williamsburg, which was on the map, Myrna decided to risk it.
Three Pines had what she craved.
It had croissants and café au lait. It had steak frites and the New York Times. It had a bakery, a bistro, a B. & B., a general store. It had peace and stillness and laughter. It had great joy and great sadness and the ability to accept both and be content. It had companionship and kindness.
And it had an empty store with a loft above. Waiting. For her.
Myrna never left.
In just over an hour Myrna had gone from a world of complaint to a world of contentment. That had been six years ago. Now she dispensed new and used books and well-worn advice to her friends.
‘For Christ’s sake, shit or get off the pot,’ had been her advice to Clara. ‘It’s been months since Jane died. You helped solve her murder. You know for sure Jane would be annoyed she gave you all her money and you’re not even enjoying it. Should have given it to me.’ Myrna had shaken her head in mock bewilderment. ‘I’d have known what to do with it. Boom, down to Jamaica, a nice Rasta man, a good book—’
‘Wait a minute. You have a Rasta man and you’re reading a book?’
‘Oh, yes. Each has a purpose. For instance, a Rasta man is great when he’s hard, but not a book.’
Clara had laughed. They shared a disdain for hard books. Not the content, but the cover. Hardcovers were simply too hard to hold, especially in bed.
‘Unlike a Rasta man,’ said Myrna.
So Myrna had convinced her friend to accept Jane’s death and spend the money. Which Clara planned to do this day. Finally the back seat of the car would be filled with heavy paper bags in rich colors, with rope handles and embossed names, like Holt Renfrew and Ogilvy. Not a single blinding yellow plastic bag from the Dollar-rama. Though Clara secretly adored the dollar store.
Back home Peter stared out the window, willing himself to get up and do something constructive. Go into the studio, work on his painting. Just then he noticed the frost had been shaved off one of the panes. In the shape of a heart. He smiled and put his eye to it, seeing Three Pines going about its gentle business. Then he looked up, to the rambling old house on the hill. The old Hadley house. And even as he looked the frost began to grow, filling in the heart with ice.
THREE
‘Who did these?’ Saul asked CC, holding up the artist’s portfolio.
‘What?’
‘This here.’ He stood naked in their hotel room. ‘I found it in the garbage. Whose is it?’
‘Mine.’
‘You did these?’ He was staggered. For an instant he wondered whether he’d misjudged her. These were clearly the works of a gifted artist.
‘Of course not. Some pathetic little person from the village gave them to me to show around to my gallery friends. Trying to suck up, it was the funniest thing. “Oh please CC, I know how well connected you are.” “Oh CC would you mind very much showing my work to some of your contacts?” Very annoying. Imagine asking me for a favor? Even had the gall to ask me to show it to Denis Fortin specifically.’
‘What did you say?’ His heart sank. He knew the answer, of course.
‘Said I’d be delighted. You can put them back where you found them.’
Saul hesitated, then closed the portfolio and put it back in the garbage, hating himself for helping to destroy such a luminous portfolio, and hating himself even more for wanting to destroy it.
‘Don’t you have something on this afternoon?’ he asked.
She straightened the glass and the lamp on the bedside table, moving each a millimeter until they were where they should be.
‘Nothing important,’ she said, wiping some great carbuncle of dust off the table. Really, at the Ritz. She’d have to speak to the manager. She looked at Saul, standing by the window.